Jessica did a great interview to The Guardian, specially to promote Salome/Wilde Salome which is going to screen in a double-bill on September 21 at the BFI Southbank in London(For participating cinemas and to buy tickets, visit cinestage.co.uk/salome). Check it:
This autumn belongs to Jessica Chastain, who stars in four of the season’s Oscar contenders, directed by the likes of Al Pacino, Guillermo Del Toro and Christopher Nolan. But what she really wants is a cape
Jessica Chastain would like a table at the back. She’s on a tight schedule, and in 10 minutes she’ll need to take a call to discuss “an issue” with “a studio”. “I’m not happy with the way a distribution plan is going,” she says, not rattled, just frank – happy, even. For another actor, such a call might be a windmill-tilt, but Chastain’s knack for picking prestige projects indicates a star with clout.
She has been on an almost flawless run (she pulled out of 2013’s Diana biopic) since 2011, AKA The Year of Jessica Chastain, when audiences saw her in The Help, Take Shelter, The Debt, Coriolanus and The Tree of Life. That was topped by a weekend in January 2013 when she became the first female actor in half a century to star in both the No 1 and No 2 movies at the US box office (Mama and Zero Dark Thirty). That same month, she landed her second Oscar nomination in as many years. This machine-like – and on the face of it rather frightening – rate of productivity was in fact an accident: projects that had been shot years apart ended up getting released back-to-back. Though she will admit to a certain work ethic. “I feel like I’m being drawn in so many directions,” she says. “I make so many films.”